Criterion en HD et UHD

[EliWallou]

Il y a petite manipulation avec les Panasonic sur certains zone A comme les Criterion, pas tous, où il faut sélectionner top menu (menu supérieur) après le message d'incompatibilité de zone. Parfois, même taper 1 pour le chapitre fonctionne.

Ah voilà, j'avais testé avec les Criterion US que j'ai mais ça n'avait pas marché.

[tenia]

Il semblerait que leurs premiers Blu-rays ne passent pas cette astuce, mais je ne saurais pas dire à partir de quel mois de sortie ça fonctionne.

[EliWallou]

Ok. Pour moi peu importe ceci dit.
Sinon j'ai encore testé hier sur amazon.com, même les vendeurs tiers ne livrent pas en Suisse.
Je vais voir si After Hours finit par baisser chez les anglais, sinon il faudra d'autres offres intéressantes pour compenser et grouper les fdp.

[Nadir aux pommes]

Bonne nouvelle pour ceux qui, n'ayant pas de lecteur région A, comptent découvrir une nouvelle restauration 4K (temporairement exclusive à l'étranger) par le biais du bluray présent dans le combo... Après, ça reste pas donné.

En à peine 3 clics, je viens de le commander.
Je crois que c’est l’achat le plus « coup de tête » que j’ai fait de ma vie.

Moi aussi un coup de tête, avec la Marque du tueur.

[tenia]

En novembre côté britannique :
Last Picture Show (BR et combo UHD/BR)
One False Move (BR et combo UHD/BR)

[Flol]

One False Move (BR et combo UHD/BR)

Celui-là sera mien (et une découverte).

[El Dadal]

One False Move (BR et combo UHD/BR)

Celui-là sera mien (et une découverte).

Excellent polar au casting en béton (Cynda Williams ), à un bémol près : jamais le film n'est au niveau de sa séquence d'ouverture, incroyablement dure et dérangeante. Cela dit, une fois cette donnée intégrée, ça reste une œuvre assez singulière, et je ne doute pas qu'un nouveau visionnage à l'aune de ce remaster assoira son statut.

[Jeremy Fox]

Celui-là sera mien (et une découverte).

Excellent polar au casting en béton (Cynda Williams ), à un bémol près : jamais le film n'est au niveau de sa séquence d'ouverture, incroyablement dure et dérangeante. Cela dit, une fois cette donnée intégrée, ça reste une œuvre assez singulière, et je ne doute pas qu'un nouveau visionnage à l'aune de ce remaster assoira son statut.

Un grand film noir

[Mosin-Nagant]

5 décembre aux USA :

DIRECTOR-APPROVED BLU-RAY SPECIAL EDITION FEATURES
New 4K digital restoration presented in two aspect ratios, 1.85:1 (widescreen) and 1.33:1 (full-screen), with uncompressed monaural soundtrack
Requiem for a Killer: The Making of “Blast of Silence”
Rare on-set Polaroids
Photos of locations from the film in 2008
Trailer
English subtitles for the deaf and hard of hearing
PLUS: An essay by film critic Terrence Rafferty and a graphic-novel adaptation of the film by acclaimed artist Sean Phillips (Criminal, Reckless, Fatale)

Cover by Sean Phillips

12 décembre aux USA :

DIRECTOR-APPROVED 4K UHD + BLU-RAY SPECIAL EDITION FEATURES
4K digital master, supervised by directors Guillermo del Toro and Mark Gustafson, with Dolby Atmos
One 4K UHD disc of the film presented in Dolby Vision HDR and one Blu-ray with the film and special features
Handcarved Cinema, a new documentary featuring del Toro, Gustafson, and cast and crew, including the film’s puppet creators, production designers, and animation supervisor
Directing Stop-Motion, a new program featuring del Toro and Gustafson
New conversation between del Toro and film critic Farran Smith Nehme
New interview with curator Ron Magliozzi on The Museum of Modern Art’s 2022 exhibition devoted to the film
New program on the eight rules of animation that informed the film's production
Panel discussion featuring del Toro, Gustafson, production designer Guy Davis, composer Alexandre Desplat, and sound designer Scott Martin Gershin, moderated by filmmaker James Cameron
Conversation among del Toro, Gustafson, and author Neil Gaiman
English subtitles for the deaf and hard of hearing and English descriptive audio
PLUS: Essays by film critic Matt Zoller Seitz and author Cornelia Funke

Cover by James Jean

SPECIAL FEATURES
New 4K digital restorations of The Red Balloon and White Mane and new 2K digital restorations of Bim, the Little Donkey; Stowaway in the Sky; and Circus Angel, with uncompressed monaural soundtracks on the Blu-rays
U.S. English-language version of Bim, the Little Donkey
New interview with actor Pascal Lamorisse, director Albert Lamorisse’s son
My Father Was a Red Balloon, a 2008 documentary featuring Pascal Lamorisse and his daughter Lysa
French television interviews with Albert Lamorisse from 1957 and 1959
English narrations for White Mane, by Peter Strauss, and Stowaway in the Sky, by Jack Lemmon
English-dubbed track for Circus Angel
New English subtitle translation and English subtitles for the deaf and hard of hearing
PLUS: An essay by critic David Cairns

New cover by F. Ron Miller

Spoiler (cliquez pour afficher)

[bocina]

Vous pensez qu'il va sortir chez nous le Pinocchio de Del Toro ?

[tenia]

Gros gros gros doute. Il me semble qu'aucun des films Netflix qu'ils ont sorti ont reçu une édition vidéo physique chez nous (hormis Roma et sa sortie un peu chelou, là, mais qui est due à la pression de Cuaron et l'équipe du film pour que le film ne sorte pas en vidéo qu'aux USA).

[Mosin-Nagant]

Les annonces de The Criterion Collection pour leur mois de janvier 2024 sont tombées : une "line up" de folie (c'est Jack Carter qui va être content) !

Spoiler (cliquez pour afficher)

C'est évidemment pour moi la sortie de l'année.

...et de l'année prochaine, du coup ?

02 janvier 2024 aux USA :

Spoiler (cliquez pour afficher)

SPECIAL FEATURES
4K digital restorations of all three films, undertaken in collaboration with the Academy Film Archive at the Academy of Motion Picture Arts and Sciences and L’Immagine Ritrovata, with uncompressed monaural soundtracks on the 4K UHD and Blu-ray editions
In the 4K UHD edition: Three 4K UHD discs of the films and three Blu-rays with the films and special features
Audio recordings from 1958 of director Satyajit Ray reading his essay “A Long Time on the Little Road” and in conversation with film historian Gideon Bachmann
Interviews with actors Soumitra Chatterjee, Shampa Srivastava, and Sharmila Tagore; camera assistant Soumendu Roy; and film writer Ujjal Chakraborty
Making “The Apu Trilogy”: Satyajit Ray’s Epic Debut, a video essay by Ray biographer Andrew Robinson
“The Apu Trilogy”: A Closer Look, a program featuring filmmaker, producer, and teacher Mamoun Hassan
Excerpts from the 2003 documentary The Song of the Little Road, featuring composer Ravi Shankar
The Creative Person: “Satyajit Ray,” a 1967 documentary short by James Beveridge, featuring interviews with Ray, several of his actors, members of his creative team, and film critic Chidananda Das Gupta
Footage of Ray receiving an honorary Oscar in 1992
Programs on the restorations by filmmaker Kogonada
PLUS: Essays by critics Terrence Rafferty and Girish Shambu, as well as a selection of Ray’s storyboards for Pather Panchali

Cover by F. Ron Miller

09 janvier 2024 aux USA :

DIRECTOR-APPROVED 4K UHD + BLU-RAY SPECIAL EDITION FEATURES
Restored 4K digital transfer, approved by cinematographer Barry Sonnenfeld and filmmakers Joel and Ethan Coen, with 5.1 surround DTS-HD Master Audio soundtrack
One 4K UHD disc of the film presented in Dolby Vision HDR and one Blu-ray with the film and special features
Conversation between Sonnenfeld and the Coens about the film’s look, featuring Telestrator video illustrations
Conversation between author Dave Eggers and the Coens about the film’s production, from inception to release
Interviews with composer Carter Burwell, sound editor Skip Lievsay, and actors Frances McDormand and M. Emmet Walsh
Trailers
English subtitles for the deaf and hard of hearing
PLUS: An essay by novelist and critic Nathaniel Rich

Cover by Michael Boland

16 janvier 2024 aux USA :

DIRECTOR-APPROVED 4K UHD + BLU-RAY SPECIAL EDITION FEATURES
New 4K digital restoration, supervised by director John Sayles and director of photography Stuart Dryburgh, with 2.0 surround DTS-HD Master Audio soundtrack
One 4K UHD disc of the film presented in Dolby Vision HDR and one Blu-ray with the film and special features
New conversation between Sayles and filmmaker Gregory Nava
New interview with Dryburgh
Trailer
English subtitles for the deaf and hard of hearing
PLUS: An essay by scholar Domino Renee Perez

New cover by Jacob Phillips

23 janvier 2024 aux USA :

Spoiler (cliquez pour afficher)

THREE-BLU-RAY SPECIAL EDITION FEATURES
New 4K digital restoration of Les rendez-vous d’Anna and 2K digital restorations of Saute ma ville; L’enfant aimé, ou Je joue à être une femme mariée; La chambre; Hotel Monterey; Le 15/8; Je tu il elle; Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles; and News from Home, with uncompressed monaural soundtracks
Hanging Out Yonkers, an unfinished film from 1973 by Chantal Akerman
Film-school tests
New program on Akerman featuring critic B. Ruby Rich
New visual essay on Akerman featuring archival interviews with the director
Autour de “Jeanne Dielman,” a documentary made during the filming of Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles, shot by actor Sami Frey and edited by Agnès Ravez and Akerman
Interviews with Akerman, cinematographer Babette Mangolte, actors Aurore Clément and Delphine Seyrig, and Akerman’s mother, Natalia
Appreciation by filmmaker Ira Sachs
PLUS: An essay and notes on the films by critic Beatrice Loayza

New cover by Century

30 janvier 2024 aux USA :

FILMMAKER-APPROVED 4K UHD + BLU-RAY SPECIAL EDITION FEATURES
New 4K digital restoration, supervised by director Danny Boyle, with 2.0 surround DTS-HD Master Audio soundtrack
One 4K UHD disc of the film presented in Dolby Vision HDR and one Blu-ray with the film and special features
Alternate 5.1 surround DTS-HD Master Audio soundtrack
Audio commentary featuring Boyle, producer Andrew Macdonald, screenwriter John Hodge, and actor Ewan McGregor
Nine deleted scenes with commentary from the filmmakers
Off the Rails: The Making of “Trainspotting,” a documentary featuring archival interviews with cast and crew and behind-the-scenes footage
Memories of “Trainspotting,” a documentary from 2008 featuring the filmmakers and actors McGregor, Kelly Macdonald, Ewen Bremner, and Robert Carlyle
Reflections from soundtrack artists Iggy Pop, Jarvis Cocker, Bobby Gillespie, Damon Albarn, Leftfield, Underworld, and more
Theatrical teaser and trailer
English subtitles for the deaf and hard of hearing
More!
PLUS: Essays by critic Graham Fuller and author Irvine Welsh, Welsh’s glossary of terms from the film and book, and glow-in-the-dark packaging

New cover by Mark Blamire

30 janvier 2024 aux USA :

DIRECTOR-APPROVED BLU-RAY SPECIAL EDITION FEATURES
New 2K digital master, supervised by director Dee Rees and director of photography Rachel Morrison, with Dolby Atmos soundtrack
New audio commentary featuring Rees
New documentary featuring Rees, composer Tamar-kali, editor Mako Kamitsuna, and makeup artist Angie Wells
New documentary made on set, featuring members of the cast and crew
Interview with Morrison
New interview with production designer David J. Bomba
Trailer and teaser
English subtitles for the deaf and hard of hearing and English descriptive audio
PLUS: An essay by critic Danielle Amir Jackson

New cover by Prinston Nnanna

[Jack Carter]

Les annonces de The Criterion Collection pour leur mois de janvier 2024 sont tombées : une "line up" de folie (c'est Jack Carter qui va être content) !

Spoiler (cliquez pour afficher)

C'est évidemment pour moi la sortie de l'année.

...et de l'année prochaine, du coup ?

Je me contenterai d'un coffret blu-ray français, avec stf.

Lone Star

[Robert Brisseau]

Probablement "Lone Star" et re-re "Blood Simple" en priorité,

Je ne connais pas du tout Albert Lamorisse

[EliWallou]

Blood Simple c'est juste un upgrade sur UHD de la restauration déjà 4K sortie en 2016, je suppose.