tenia a écrit :Tous les Criterion étant normalement authorés de façon standardisée, la manip Panasonic devrait fonctionner aussi sur les sorties plus récentes.
Et à l'inverse, je peux lire des Masters of Cinema avec mon lecteur Panasonic US zone 1. Bon, je préférerais un lecteur Oppo, mais...
Vivement en HD (STA/STF)
Joseph L. Mankiewicz - Sleuth / Jan Švankmajer - The Complete Short Films / Ladislas Starewitch - The Tale of the Fox & Other Fantastic Tales /Abel Gance - Napoléon / Koji Wakamatsu - Endless Waltz / Jiří Barta - Krysař / Raymond Bernard - Le miracle des loups / Luis García Berlanga - Plácido / Oldřich Lipský - Happy End / Masaki Kobayashi - Samurai Rebellion / Akira Kurosawa - Dersou Ouzala... etc.!
Mon cœur saigne. Comme The Chaser... il y a des films et des versions qui deviennent invisibles en "Full HD physique". Avant il fallait craindre les producer's cut puis les director's cut maintenant il y a les remastered version
En attendant, les annonces US officielles pour mai 2020 :
6 contes moraux de Rohmer (restos 2k)
Wild Life (Paul Dano)
The Great Escape (resto 4k)
Dance, Girl, Dance (nouvelle resto 4k)
Husbands (nouvelle resto 4k)
Courts métrages de Martin Scorsese (nouvelles restos 4k)
Torrente a écrit :Mon cœur saigne. Comme The Chaser... il y a des films et des versions qui deviennent invisibles en "Full HD physique". Avant il fallait craindre les producer's cut puis les director's cut maintenant il y a les remastered version
Et aucune alternative en "Full HD physique"...
Un disque coréen DNR au max et vérolé aussi et un disque italien (mais il faut donc maîtriser l'italien) complétement épuisé et introuvable... et puis... c'est tout
Vivement en HD (STA/STF)
Joseph L. Mankiewicz - Sleuth / Jan Švankmajer - The Complete Short Films / Ladislas Starewitch - The Tale of the Fox & Other Fantastic Tales /Abel Gance - Napoléon / Koji Wakamatsu - Endless Waltz / Jiří Barta - Krysař / Raymond Bernard - Le miracle des loups / Luis García Berlanga - Plácido / Oldřich Lipský - Happy End / Masaki Kobayashi - Samurai Rebellion / Akira Kurosawa - Dersou Ouzala... etc.!
Je me permets de poster le retour trouvé sur criterionfroum.org :
"It appears Criterion is using the exact same master that Netflix used for whatever files they created for their streaming service’s viewing options, which is a high-definition presentation and a 4K presentation. In comparison to the high-definition presentation on Netflix this does look better from a digital perspective, thanks to the fact that bandwidth and compression isn’t as big an issue, allowing for a better bitrate. This leads to a far cleaner look, with banding, noise, and other compression artifacts never rearing their heads (though credit must be given to Netflix that these things aren’t as bad as they could be on their service). The image, in the end, is razor sharp and crystal clear, with a staggering amount of fine-object detail, also present in long shots. The household, the streets, the beach at the end, even the dark movie theater, all of them come to vivid life. The black and white photography looks absolutely stunning, with superb range in the grayscale, bright (but never blooming) whites, and rich, deep blacks. This all looks rather exceptional. Since the film was shot in 4K there is no grain to speak of, but the image never looks flat and I have to say this easily the best looking black-and-white digital film I’ve seen so far.
So, for a high-def image it looks excellent, and is noticeably better than Netflix’s high-def presentation. But how does it compare to Netflix’s 4K presentation? While streaming in 4K has its obvious limitations (again, it comes down to bandwidth and compression) I have so far been mostly pleased with how it can look. Detail can definitely be better, or at least appear to be, but I still think the advantage is in colours, along with grays and blacks (thanks to the improved dynamic range), and in this latter regard, the black-and-white Roma looks crazy-good on Netflix in 4K. When it comes to compression and the general cleanliness of the image I would say the Blu-ray is better, because artifacts are still limited, but when it comes to contrast, blacks, grayscale, and so forth, the 4K presentation on Netflix looks pretty damn good. And this makes it all the more disappointing that Criterion didn’t take the leap to 4K UHD with this title, because this film would look incredible on the format. As it is, it looks damn good, but a 4K disc would have just been a knock-out."
