Top de Richard Brody, critique du
New Yorker
“Madeline’s Madeline” (Josephine Decker)
“Let the Sunshine In” (Claire Denis)
“Zama” (Lucrecia Martel)
“Did You Wonder Who Fired the Gun?” (Travis Wilkerson)
“Sorry to Bother You” (Boots Riley)
“BlacKkKlansman” (Spike Lee)
“Werewolf” (Ashley McKenzie)
“Mrs. Hyde” (Serge Bozon)
“The Old Man & the Gun” (David Lowery)
“Shirkers” (Sandi Tan)
“Jeannette: The Childhood of Joan of Arc” (Bruno Dumont)
“Claire’s Camera” (Hong Sang-soo)
“Infinite Football” (Corneliu Porumboiu)
“Monrovia, Indiana” (Frederick Wiseman)
“Support the Girls” (Andrew Bujalski)
“Sollers Point” (Matt Porterfield)
“Isle of Dogs” (Wes Anderson)
“Golden Exits” (Alex Ross Perry)
“Can You Ever Forgive Me?” (Marielle Heller)
“The Ballad of Buster Scruggs” (Joel Coen and Ethan Coen)
“I Am Not a Witch” (Rungano Nyoni)
“A Bread Factory” (Patrick Wang)
“The 15:17 to Paris” (Clint Eastwood)
“The Rest I Make Up” (Michelle Memran)
“If Beale Street Could Talk” (Barry Jenkins)
“Bisbee ’17” (Robert Greene)
“First Reformed” (Paul Schrader)
“Gavagai” (Rob Tregenza)
“Black Panther” (Ryan Coogler)
“Hale County This Morning, This Evening” (RaMell Ross)
“Minding the Gap” (Bing Liu)
“Notes on an Appearance” (Ricky D’Ambrose)
“The Other Side of Everything” (Mila Turajlić)
“The Spy Who Dumped Me” (Susanna Fogel)
“Scarred Hearts” (Radu Jude)
“Pow Wow” (Robinson Devor)
“A Season in France” (Mahamat-Saleh Haroun)
“Garry Winogrand: All Things Are Photographable” (Sasha Waters Freyer)
“The Hate U Give” (George Tillman, Jr.)
“The Waldheim Waltz” (Ruth Beckermann)
