Re: Criterion en HD et UHD
Publié : 4 mars 22, 23:16
Autour de minuit sera édité en Angleterre chez Criterion pour le 09 Mai.
dans ma wishlistThesix a écrit : ↑31 mars 22, 18:54 Oui, sans aucun doute.
https://www.criterion.com/films/28849-black-girl
Intrigué !
Je les vois mal sortir ce titre seulement en BR.Mosin-Nagant a écrit : ↑7 avr. 22, 15:59 Lost Highway restauré en 4K par Janus Films pour une ressortie aux USA cet été.
(Reste à savoir si The Criterion Collection éditera la restauration en UHD ou seulement en bluray...)
J'aimerais beaucoup Lost Highway en UHD avant qu'ils ne perdent les droits - j'avais acheté le Kino US et j'avais été un peu déçue par la qualité de l'image. (J'ai acheté aussi chez Kino les UHD de Some Like It Hot (j'avais le blu-ray Criterion).zemat a écrit : ↑7 avr. 22, 16:02Je les vois mal sortir ce titre seulement en BR.Mosin-Nagant a écrit : ↑7 avr. 22, 15:59 Lost Highway restauré en 4K par Janus Films pour une ressortie aux USA cet été.
(Reste à savoir si The Criterion Collection éditera la restauration en UHD ou seulement en bluray...)
Pour ma gouverne, ça correspond à quel titre la vignette en haut à gauche ?![]()
DIRECTOR-APPROVED SPECIAL EDITION FEATURES
New 4K digital master, approved by director Martin Scorsese, with 2.0 surround DTS-HD Master Audio soundtrack
In the 4K UHD edition: One 4K UHD disc of the film presented in HDR and one Blu-ray with the film and special features
New video essays by film critics Geoffrey O’Brien and Sheila O’Malley on Scorsese’s mastery of formal techniques and the film’s triumvirate of characters
Three audio commentaries, featuring Scorsese and editor Thelma Schoonmaker; director of photography Michael Chapman, producers Robert Chartoff and Irwin Winkler, casting director Cis Corman, music consultant Robbie Robertson, actors Theresa Saldana and John Turturro, and sound-effects supervising editor Frank Warner; and boxer Jake La Motta and screenwriters Mardik Martin and Paul Schrader
Fight Night, a making-of program featuring Scorsese and key members of the cast and crew
Three short programs highlighting the longtime collaboration between Scorsese and actor Robert De Niro
Television interview from 1981 with actor Cathy Moriarty and the real Vikki La Motta
Interview with Jake La Motta from 1990
Program from 2004 featuring veteran boxers reminiscing about La Motta
Trailer
English subtitles for the deaf and hard of hearing
PLUS: Essays by poet Robin Robertson and film critic Glenn Kenny
New cover by Eric Skillman
DIRECTOR-APPROVED SPECIAL EDITION FEATURES
New 4K digital restoration, approved by director Sofia Coppola and supervised by cinematographer Ed Lachman, with 5.1 surround DTS-HD Master Audio soundtrack on the 4K UHD and Blu-ray
Interviews with Coppola, Lachman, actors Kirsten Dunst and Josh Hartnett, novelist Jeffrey Eugenides, and writer and actor Tavi Gevinson
Making of “The Virgin Suicides,” a 1998 documentary directed by Eleanor Coppola and featuring Sofia Coppola; Eleanor and Francis Ford Coppola; actors Dunst, Hartnett, Scott Glenn, Kathleen Turner, and James Woods; Eugenides; and others
Lick the Star, a 1998 short film by Sofia Coppola
Music video for Air’s soundtrack song “Playground Love,” directed by Coppola and her brother Roman Coppola
Trailers
English subtitles for the deaf and hard of hearing
PLUS: An essay by novelist Megan Abbott
New cover by Naomi Hirabayashi
DIRECTOR-APPROVED SPECIAL EDITION FEATURES
4K digital master, approved by director Bong Joon Ho, with Dolby Atmos sound on the Blu-ray and 4K UHD editions
In the 4K UHD edition: One 4K UHD disc of the film presented in Dolby Vision HDR and one Blu-ray with the film and special features
New conversation between Bong and producer Dooho Choi
New interviews with actors An Seo Hyun and Byun Heebong
New interviews with members of the crew about the film’s cinematography, visual effects, and costume and production design
Short programs including a director’s video diary, featuring Bong; actors Paul Dano, Jake Gyllenhaal, Tilda Swinton, and Steven Yeun; and others
Teaser, trailer, and web promos
English subtitle translation and English subtitles for the deaf and hard of hearing
PLUS: An essay by critic Karen Han
New cover by Michael Boland
DIRECTOR-APPROVED SPECIAL EDITION FEATURES
New 4K digital restoration, approved by director Carl Franklin, with 5.1 surround DTS-HD Master Audio soundtrack
In the 4K UHD edition: One 4K UHD disc of the film presented in Dolby Vision HDR and one Blu-ray with the film and special features
Audio commentary featuring Franklin
New conversation between Franklin and actor Don Cheadle
New conversation between Walter Mosley, author of the novel on which the film is based, and novelist and screenwriter Attica Locke
On-stage conversation between Franklin and film historian Eddie Muller, recorded at the 2018 Noir City Film Festival in Chicago
Screen test for Cheadle
Trailer
English subtitles for the deaf and hard of hearing
PLUS: An essay by critic Julian Kimble
New cover by James Ransome
DIRECTOR-APPROVED SPECIAL EDITION FEATURES
New 2K digital master, approved by director Ryusuke Hamaguchi, with 5.1 surround DTS-HD Master Audio soundtrack on the Blu-ray
New interview with Hamaguchi
Program about the making of the film, featuring behind-the-scenes footage and interviews with actors Reika Kirishima, Hidetoshi Nishijima, Masaki Okada, Yoo-rim Park, Dae-Young Jin, and others
Press conference footage from the film’s premiere at the 2021 Cannes International Film Festival
Trailer
New English subtitle translation and English subtitles for the deaf and hard of hearing
PLUS: An essay by author Bryan Washington
New cover by Jason Hardy
SPECIAL FEATURES
New 4K digital restoration, with uncompressed monaural soundtrack on the Blu-ray
New interview with film historian Melanie Williams
Interview with director David Lean from 1963
Audio excerpts of a 1988 interview with cinematographer Jack Hildyard
Trailer
English subtitles for the deaf and hard of hearing
PLUS: An essay by film critic Stephanie Zacharek
New cover by Lauren Tamaki
En substance, cela veut dire que l'UHD ne bénéficiera pas du High Dynamic Range (ou HDR) qui permet en principe des contrastes plus étendus et une plus grande fidélité des couleurs.